Home of Ane Ryan Walker, Teller of Tall Tales, Writer of Short Stories

Tag: storytelling (Page 1 of 7)

How old is too old to start?

Nobody grows old merely by living a number of years. We grow old by deserting our ideals. Years may wrinkle the skin, but to give up enthusiasm wrinkles the soul.

― Samuel Ullman

Is it too late to start writing that novel you always dreamed about? I don’t think so. In fact I know it’s never too late, unless you’re dead. Once that happens there isn’t much to be done. Unless you believe in reincarnation, or you plan on becoming a Zombie or a Vampire. Who knows, maybe you do plan on one of those two things happening to you.  If not, you may be wasting your time.

I truly don’t think Dracula will be around to revive you once you have infinite amounts of time on your hands.  Really, even if you have all of eternity at your disposal, you will most likely find a way to squander the time, just like you did in real life.

For most of us, aspiring writers that is, we tend to fixate on all the wrong things, thus delaying our inevitable success.

No Fear?

Know Fear!

That’s the aspiring authors beginning motto. We become so entrenched in the things we don’t know, (shameful at your age) that we fail to realize what we do know. What is that, you’re asking? Life!

There are stages to life beyond growth and development, the same way mourning has stages to get us to our end result.

In your 2o’s: Too busy having fun and thinking I already know everything I will ever need to know, plus enjoying the delusion of immortality.

In your 30’s: Very busy convincing yourself you have barely scratched the surface of life and have nothing to gain by introspection.

In your 40’s: 1st OMG moment. I have a family, and husband, children and other extended family members and they all want something from me. What was I thinking?????

In your 50’s: I will be able to retire in a mere 10+ years and then my time will be my own. I can travel, sleep, eat, enjoy fine wine, and I will not have to answer to anyone.

In your 60’s: 2nd OMG moment. This is all falling apart! I didn’t realize the government wants me to work until I’m decrepit at 67+ years old. I didn’t start saving for my retirement when I was young and had money. I will now be too old to do anything I want to do and will probably become a Greeter at Walmart for the paycheck.

In your 70’s: If I had written a single page a day for a single year I would have finished a book by now.

Life lesson?Image result for clip art halloween

Yes! It is never too late to start (unless you’re already dead).

On Writing

“My words sound better coming from my hands than from my mouth.”

Unknown

I cannot tell you a story. Well, I could, but the significant question is can I keep your attention? Maybe, maybe not.

When you’re a writer you learn how to write a hook, and that you should use a hook at your chapter ending. It’s part of the structure you need to put together to keep your reader engaged. Sometimes writing to the structure goes beyond your writing voice.

Once you’ve written about a million words, you start to see and hear your unique writing voice. It’ s something you worked to achieve and you do not want to do anything to jeopardize it. Authors struggle against the editor who tries to edit it out of the story. But how exactly do you allow editing without jeopardizing your voice?

Truth be told, it’s damn difficult.

Most of us find the zone when we sit down to write. If you need to warm up, and I often do, you slip right into the zone somewhere around the second or third page. It’s different for each of us. But once found, the zone is the heaven where all good stories reside. They wait for us to trip into the garden of paradise and enjoy the moment. Because, that’s what it seems like, a moment in time.

When we read–and most authors are avid readers–we become lost in the story. At least that is the goal of every author for each reader to find his own way, at his own pace, with a separate interpretation. What a story means to one of us will not resonate with every reader. Like small hidden gems, the “moments of universal truth” shine through in varied places for each reader.

Each chapter should be formed to build on the story that comes before it. Not in an episodic manner, but rather as a new layer of character, influence of backstory, or personal insight as to why our characters become who they are meant to be by the story’s end.

So many of the “writing rules” are really guidelines meant to improve our writing. But even viewed as guidelines, they confuse the beginning writer. It’s as if you’re juggling, with too many balls in the air.

Show don’t tell.

Anchor the reader and your characters in time and place.

Don’t give too much backstory too soon.

Begin with a hook.

End with a hook.

The best advice for new writers? Write the damn book. You will quickly learn, good books are not written but rewritten

Traveling, Friendship, and Touring America…before it’s too late

It’s been an interesting summer. Fun times catching up with old friends and revisiting favorite places. My DH (darling husband) an I now travel full time in our 5th wheel and are striking off the places we need to see on our bucket list, before–I hesitate to say it, but before someone kicks the proverbial bucket.

So today, in the RV park of iffy wifi, and bad weather I’m resurrecting an old post about friendships and their true values. I’ll keep you posted as I catch up with friends around the country and see the sites.

Women and Friendship

Date: July 22, 2013

Author: Ane

“And life is what we make it. Always has been. Always will be.”

– Grandma Moses

Here’s a thing I know from my heart: value the women who are your friends for they are worth their weight in gold.

Ane Ryan Walker

I do value my women friends. I am still in touch with the girls I grew up with, my best friend from first grade who was still my best friend at high school graduation, and with whom I am still friends today. Ditto for my best friend from college.

I just returned from a long weekend at the beach. It’s an annual event, a three-day weekend cherished by all of us, spent at the beach house of a mutual friend.

Now these ladies and I have been friends for a very long time, sometimes old friends and sometimes new friends. Some 20+ years, and one who just joined us for the very first time. There isn’t a lot of exclusivity to the ”Girls Club” just a few simple rules.

1) Cardinal Rule: Girls Only, no children, no spouses, no boyfriends, no pets. We’ve only violated this rule once, for a two-year old male toddler whose Mom really needed a “girls weekend”.

2) If you get up, you lose your chair, and if you leave the room, we will talk about you. This requires no explanation.

3) No makeup, no bras necessary. (As we age, we make this bra thingy optional. Some of us really need the support.)

4) What happens at the Fish Bowl, stays at the Fish Bowl. We are a little upset that the marketing people stole this for Las Vegas, but we’re not gonna’ press it.

5) No criticism of others situations or behaviors. The truth of it is, everything else in your life may change, but the Girls Weekend is Sacred. We tease, cajole, and tell stories and secrets of our own and others bad behavior over the years, but since those stories never leave the Fish Bowl, the purpose here is to bond with the new, entertain the old, and to put in perspective who we are in this moment. It’s all about how we went from lean, lanky, single, hot girls to the sometimes Grandma’s of today. We know you, and we know your history. This is the place where you come to be your absolute true self. And they keep showing up.

So another year has passed, I took a poll, and if you weren’t in the room, too bad.

No names, the innocent are protected, always.

These are the women I’d trust with my life, share my “bucket list” with, and give my last dime. They are consistent, caring and crazy. They are a reflection of who I really am and I am proud to know them all.

I love you guys!

Thank You Kelli, for the recent visit to Guadalupe River State Park, as always it was great to see you.

It breaks my heart that I will miss Girls Weekend, but I will catch up with Y’all as I can while traveling.

 

Self Doubt

Doubt is a virus that attacks our self-esteem, productivity, and confidence. Faith that you and your life are perfectly unfolding is the strongest vaccine.
― Sean Stephenson

Sometimes I question whether or not I should continue to pursue a writing career. I have so many stories to tell, but I get distracted so easily. I wonder if I’m serious about writing, and that is not a good feeling.

Maybe, I thought, I just need a little time off. You know how it goes. Thinking I’ll take a little time, ease into the next phase of where my life journey is taking me and determine how serious I really am about this writing thing.

First I think, NANO is coming up and this is the perfect opportunity to establish a new habit, i.e., writing every day. Oh, wait! I had that habit and for some unknown reason, I stopped writing every day. Even now, I wonder why.

Was it because things didn’t go exactly as planned?  Because I failed to get my butt in the chair and just do it?

Some people believe you shouldn’t try to write every day. There I said it, and if you believe it fine, and if you don’t, that’s okay too.

Right now I’m not sure. I know that I made a commitment to turn in critique pages today. I follow through on the promises I make. I always try, an I’ consistent.

Also, through this last hiatus, I realized the value of time off from writing. Some times writers, like stories, need a rest.

Sure it was surgery and drug-induced vacation that got me into the “not writing” mode. Enough to make me wonder if going back to writing was worth the energy. I did doubt it on many days.

This morning I woke up with a whole new attitude. I do want to write, I do have stories to tell, and I find storytelling a pleasure. But, at a different pace.

We are now nine days into NANO, and I’m not there. SO what I’m doing is looking at reviving abandoned stories. Yeah, that’s the reason I decided writing is worth it. So many stories, so little time.

Happy writing, and keep the commitments you make. You’ll be happier for it.

Writing from the heart

“It is only with the heart that one can see rightly; what is essential is invisible to the eye.”

― Antoine de Saint-Exupery

This advice comes under the admonition of “write what you know”. Some of the best and worst advice aspiring writers ever receive.

When you are told to “write what you know” it is always difficult to discern what exactly that means.

Perhaps you need to engage the reader with more emphasis on relating your personal experience with emotional issues. Sadness, joy, anger, revulsion. Any of these emotions are felt in the core and should be transferable to the page.

For Example: anger,

Jolie’s shoulders tensed, apprehension ripping through her. Her clenched hands dropped to her sides, the fists so tight her nails in the palms almost drew blood. Why didn’t people listen to her?

Can you see it in your mind’s eye how angry she is? Have you ever been there? Standing in front of someone you disagree with, and who is not listening to your input, and your anger takes on this physical aspect?

Or how about revulsion, ending in physical pain

Her fingers, twisted and arthritic, removed the cloth from the box. Mesmerized, the memory fleeting beyond her grasp, she pulled the drawer open at the base of the cabinet and memory flooded her like a landslide.

She groaned.

The horrific cold of a thousand dead hands assaulted her, astounding her, stealing her breath. For a moment, she thought she simply forgot to breathe. Then the pain exploded in her chest. A hundred blades of precision surgical steel knifing into her heart and radiating out to her shoulder and jaw. She struggled to take in air. Clutching, reaching for her son, she toppled the tea-table.

I’ll bet you have. I’m going to go out on a limb and bet you know exactly what the author means, when they write she was angry. That’s telling, and when the author shows you the characters physical reaction to something that happens “on stage” in the story, that’s writing what you know.

Translating your emotion into words on the page, sadness, desire, longing, and any other emotions we are all privy to, is the essence of writing what you know.

What you don’t know. . .

 

  “Everybody is a genius. But if you judge a fish by its ability to climb a tree, it will spend its whole life believing that it is stupid.”

― Albert Einstein

So there’s a saying: “You don’t know what you don’t know until you know it. Then you know.”

Pretty much I believe that to be true. When you attempt to learn a new skill, you have no idea–for the most part–if learning will be drastic, difficult, or if you will fall into it like an old pro.

This saying is especially true when you talk about learning to write. Each of us has, at one time or another, met a person who thinks writing a book is a great idea. Sometimes they even tell us they’re going to go home and write it and it’ll be out next year.

I tend to believe this where the person who believes anyone can write a book finds out what they don’t know. Especially when it comes to writing a book.

So it is pretty easy to accept that each of us has a story to tell. That some of us are “born” storytellers. What about the authors that aren’t “born” storytellers? They must have learned something about storytelling.  Do they study the craft of writing, or do they observe other writers?

Some writers can’t tell you how they craft a story, because they work by instinct. The old tribal belief that stories are meant to be shared, that cautionary tales are for all of us, and sometimes we just need to entertain the rest of the tribe, is absolutely true. What motivates each writer is different, unique in its own way.

If you have a story to tell, write it down. If you’re willing to take a leap of faith and learn something new, share it with others, selectively. I stress selectively because not all critics are kind.

Chose critics who will not only tell you what’s wrong with specificity, but can suggest ways to fix it. This is how we learn.

 

 

How does that sound?

More on naming your characters.

The sound of a name says it all. For the strong, alpha, bad boy, totally masculine character you will probably want a name that sounds sharp, short and strong. Names that garner attention.

Bad boys, particularly villains, who deserve as much attention as heroes, have specific name needs.No villain should be Snidely Whiplash. Too routine, too ordinary, too boring. In fact, you might say “cookie cutter”.

The real bad boys in fiction, whether leading men, alpha heroes, or second fiddles have sharp, snappy, memorable names. Especially the anti-hero. Names that sound sharp, snappy or have sizzle built-in.

Count Dracula, the primary bad boy of fiction has a sharp sounding name. Count–with the k sound for an opener–followed by Dracula–another definitely sharp sound. The D defines and the k is repeated in Drac, brings in another sharp k. Hard edges are defined by the name. You know instinctively this guys going to be a problem.

Sometimes the sound is suspicious. Le Stat, another vampire of literary fame. The s sound is slithery, and sneaking. This character is not at all what he seems. Tah Dah! He is conflicted. Suspicious. This character is unpredictable, no one can say exactly what will happen with him next.

Long after the story ends, writers are remembered for their compelling characters. Often the properly named character is remembered once story specific are long forgotten. So make sure you ask yourself, “what’s in his name?” before you name the character.

This is one place where the use of subtext is not acceptable and encouraged.

 

Truth or Power?

  “All things are subject to interpretation. Whichever interpretation prevails at a given time is a function of power and not truth.”

― Friedrich Nietzsche

So all the rules you can’t seem to help breaking today which will land you in plenty of hot water maybe perfectly acceptable tomorrow.  Just go with it. Things change. If you can wait around long enough.

When we begin our trip down the path to published author, we first need to learn the rules. Excellent advice. I cannot stress how important it is the know the rules before you break them. Only then can you justify the unique twist applied to individual voice.

My best advice is to go ahead and write through to the end. The end of the first (rough) draft.

Then, when the first draft is complete your real work begins. What do I mean by real work? Well, for starters, editing. What kind of editing you ask? Good question. Editing in and of itself, can be considered an art form.

There is Developmental editing. This editing looks at the overall story. How did you structure the story you wrote? Is it logical? Does it follow a linear timeline? Does it make sense? Does it have all the components of a good story, in a logical fashion which will most likely cause your readers to pick up your book, and keep reading through to the conclusion.

Developmental editing is very expensive, and it is not the kind of editing you can do for yourself. Often we ask critique partners to assist us with line editing, and Beta reads. Not your best choice. As far as critique partners go, they make great critique partners or we wouldn’t keep them as critique partners. Most writers–especially those who take themselves seriously–have beta readers lined up. Those are folks who 1) like to read, 2) will be honest about the material they read, 3)have some idea of what makes a good story. At least look for Beta readers who have a clue about what makes a story good and what make it fail story-wise.

Line editing is exactly as it reads. An editor, who you pay, or your publisher pays, goes through your manuscript line by line looking for typos, grammar errors, (such as their for they are, or where for wear, etc.)and other inconsistencies. A character who is short  in chapter one who towers over others in chapter three, or might have blue eyes for several chapters which mysteriously change to green eyes in the end of the book.

Copy editing is done by the truly anal retentive. A copy editor’s job is to make sure you adhere to the house style designated by your publisher. Check submission guidelines. Submission guidelines as laid out by the publisher, will commonly indicate “house style”. Often the Chicago Manual of Style is indicated as the standard. The copy editor is the one who will help you to “tighten” your story. They help you to remove the unnecessary words, those which drag your manuscript down, making it harder to read, or slower to read.

Acquisitions editor is the employee of the traditional publisher who sees your project (book) through to completion. They buy your book. Which means, they sold your book to the sales team and the editorial board,but that’s a story for another time, another blog.

That’s about it for now, unless you plan to use and editor for SEO. For those of you scratching your heads, Search Engine Optimization. Because, when someone goes looking for your book, you need to help them find it.

Secondary Characters

How important are secondary characters?

Very Important. Think for just a minute how you might see The Harry Potter series without Neville Longbottom. Or perhaps Pride and Prejudiced with Jane Bennett.

Not so interesting, huh?

Important to remember the names for secondary characters. They should not be similar to the hero or the heroines name. The first names of these character should never start with the same letters. Names that sound similar or start with the same letter can be confusing to your reader. You don’t want the reader to confuse Crissy the servant with Sissy the villain. That would not be good. Remember, sound alike–Katy, Kathy, Cody–can confuse as well.

Where some writers will provide a full interview to get to know their primary characters, it isn’t always necessary for secondary characters. Does that mean they are less important? Less well-developed? No.

While they may not require the same depth of development, secondary charterers require the same amount of attention to the in development. Supporting characters who are well-developed are those who provide the proper support for your hero and heroine. Their development provides depth for the story and layers of interest to your novel.

Secondary characters provide a unique perspective through which the main characters can be viewed. What they see, hear,  and think about your hero or heroine and the behavior gives additional insight to the main character.

Characters, like people, are often judged by the company they keep. If you wish to define a characters moral core, the companions they choose are a good gauge of moral compass.

Sometimes the secondary character allows us as readers to compare and contrast the desirable qualities between heroes and secondary characters.

Secondary characters can contribute to a story by the use of valuable dialogue. They will know–and so will your editor–which questions should be asked and which subjects the hero wishes to avoid, but shouldn’t. They hep to increase the conflict by introducing the taboo subject, and sometimes outrageous behavior.

Secondary characters are not held to the same high standards which we impose on our heroes. They do not benefit when they advance to primary status in follow-up stories. And be assured, romance readers love to see the secondary characters follow-up with their own story.

 

 

How About Characters who are Villains?

We spend a lot of time writing and rewriting the hero.  After all, everyone expects him to be perfect. Especially if you’re writing Romance.

Romance readers are a finicky group. They’ve earned the right to be by their support of the fiction market. Many genres include romance, i.e, romantic suspense, historical romance, paranormal romance, contemporary romance…you get the drift. The largest percentage of the fiction market is some type of romance.

But, regardless of what specific genre you write, you sooner or later have to write a villain to oppose your hero.Remember our discussion about conflict?..how it powers your story?… how it makes every story more interesting? Well, the well written villain is the way to go.

Villains are the heroes of their own stories.Their behavior–same as the hero–defines who they are for your story purposes. Your villain will be ruthless, calculating,merciless, and a natural leader. If he’s not a natural leader, who will follow him? So maybe he’s charismatic, too.

There are different shades of evil,the same way there are different types of heroes. His motives, match his traits, and are reflected in his actions. You must show your reader who he is. In order to depict a villain who is not merely melodramatic, you will be required to explore his nature and therefore the evil of his nature and the evils’ origin. We are, after all not born good or bad, but develop into who we are by our life experience.

Be even more careful with the villains backstory. There is no need to dump it onto the page, or into your story. Save it for the perfect moment, the revelation of who the villains truly is and why he wants what he’s striving 300+ pages to accomplish.

The evil nature of a villain has many components. Greed, corruption, domination, deviancy, these traits represent the shadow side of human nature. In other words, these traits are the things we would like to be–just once, or possibly on occasion, in our everyday lives. Tell the truth, sometimes don’t you desire revenge rather than justice? Especially when the hurt is fresh, or when we are angry with others. The wicked character, our villains, act on the desires we deny.

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