“All things are subject to interpretation. Whichever interpretation prevails at a given time is a function of power and not truth.”

― Friedrich Nietzsche

So all the rules you can’t seem to help breaking today which will land you in plenty of hot water maybe perfectly acceptable tomorrow.  Just go with it. Things change. If you can wait around long enough.

When we begin our trip down the path to published author, we first need to learn the rules. Excellent advice. I cannot stress how important it is the know the rules before you break them. Only then can you justify the unique twist applied to individual voice.

My best advice is to go ahead and write through to the end. The end of the first (rough) draft.

Then, when the first draft is complete your real work begins. What do I mean by real work? Well, for starters, editing. What kind of editing you ask? Good question. Editing in and of itself, can be considered an art form.

There is Developmental editing. This editing looks at the overall story. How did you structure the story you wrote? Is it logical? Does it follow a linear timeline? Does it make sense? Does it have all the components of a good story, in a logical fashion which will most likely cause your readers to pick up your book, and keep reading through to the conclusion.

Developmental editing is very expensive, and it is not the kind of editing you can do for yourself. Often we ask critique partners to assist us with line editing, and Beta reads. Not your best choice. As far as critique partners go, they make great critique partners or we wouldn’t keep them as critique partners. Most writers–especially those who take themselves seriously–have beta readers lined up. Those are folks who 1) like to read, 2) will be honest about the material they read, 3)have some idea of what makes a good story. At least look for Beta readers who have a clue about what makes a story good and what make it fail story-wise.

Line editing is exactly as it reads. An editor, who you pay, or your publisher pays, goes through your manuscript line by line looking for typos, grammar errors, (such as their for they are, or where for wear, etc.)and other inconsistencies. A character who is short  in chapter one who towers over others in chapter three, or might have blue eyes for several chapters which mysteriously change to green eyes in the end of the book.

Copy editing is done by the truly anal retentive. A copy editor’s job is to make sure you adhere to the house style designated by your publisher. Check submission guidelines. Submission guidelines as laid out by the publisher, will commonly indicate “house style”. Often the Chicago Manual of Style is indicated as the standard. The copy editor is the one who will help you to “tighten” your story. They help you to remove the unnecessary words, those which drag your manuscript down, making it harder to read, or slower to read.

Acquisitions editor is the employee of the traditional publisher who sees your project (book) through to completion. They buy your book. Which means, they sold your book to the sales team and the editorial board,but that’s a story for another time, another blog.

That’s about it for now, unless you plan to use and editor for SEO. For those of you scratching your heads, Search Engine Optimization. Because, when someone goes looking for your book, you need to help them find it.

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